FIELD OF THE INVENTION:
The pr!;!sent invention relates to the makeup of skin, such as facial or body skin, lips or skin,
such as eyelashes, eyebrows, nails and hair. The ·present invention offers the user a proposal
for the field of keratin substance care and makeup, particularly the skin and/or lips,
particularly the skin, the most particularly advantageous novel herbal form in terms of its
technical performance, particularly in the course of its application to the skin. It's all about
the feeling of accomplishment.
BACKGROUND OF THE INVENTION:
In the present invention, it discloses that the powders, foundations, nail polishes, mascaras,
blushers, eye shadows, lipsticks, and bottled or liquid glosses are examples of makeup
compositions that typically include a physiologically acceptable medium and a variety of
co lou rants.
Consumers have long sought cosmetic products that alter the appearance, particularly those
that accentuate the cheekbones and/or enlarge the lips. This hope is not currently being
fulfilled by any practical solution.
It is common knowledge that applying a light colour riext to a dark colour will increase the
capacity. In this instance, the area that needs to stand out is painted a light colour. This
effect typically requires two different compositions and depends on the application skill of
the user. Using this method to make up is even more difficult.
Typically, those who create cosmetic compositions employ an emulsifying system that
combines an oil phase for comfort and an aqueous phase for freshness. These systems'
ability to formulate cosmetic actives in the·same composition with different affinities for the
two aqueous and oil phases is one of their strengths.
These emulsifying systems themselves, however, are unsuitable for the quick and simple
creation of an infinite variety of compositions. As a result, for some emulsifying systems,
certain actives, pigments, polymers, fragrances, or fillers, for instance, can be used without
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compromising the stability, organoleptic properties, or quality of keratin materials,
particularly membranes deposited on the skin. Adding to the formulation to functionalize it
frequently proves to be difficult. The formulation must then be modified. In addition,
Additionally, it can be challenging to balance opposing technical performance characteristics
in a single composition, such as mattness (which can make the skin dry) and moisturising
(which can make the skin shiny).
Summary of the invention:
The present invention putting on a complexion, the preferred emulsifying systems are
mainly reverse emulsions with respect to the homogeneous appearance and the good level
of coverage they provide when compared to direct emulsions. On the one hand, their
weakness is the high greasy and sticky feeling, and thus the lack of lightness with respect to
the texture obtained.
Additionally, the emulsifying system itself is not appropriate for the formulation of high
concentrations of specific cosmetic ingredients or active agents, or even for the formulation
of all ingredients or active agents that are likely to be considered in the field of care or
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cosmetics. Failure to address these incompatibilities destabilises the emulsified structure
· and, among other things, causes demixing.
Last but not least, these emulsification systems are insufficient for the quick and simple
creation of an infinite variety of textures.
Objectives of the present invention:
It is a primary objective· of the present invention is to create a makeup composition that can
be applied to skin, lips, or other surfaces to produce a novel makeup effect, particularly one
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that increases optical capacity. They claim. For instance, these compositions provide a
perception of a volume that is different from the volume of the substrate that has not been
made up after being applied to the cheeks; eyelids, or lips. In particular, "rich" effects on the
lips or "morphizing" effects on the face and body can be referred to as "three-dimensional"
effects or "three-dimensional" effects.
So, in accordance with a feature of the invention, the background of the invention is a
goniochromatic colour when
It is further objective of the present invention is to provide that when the composition is
applied to a support to form a layer and exposed to radiation in a physiologically acceptable
medium, the invention's subject becomes a goniochromatic coloured background.
It is further objective of the present invention to provide a cosmetic composition that
contains reflective particles that can create an emphasis point that is visible to the naked
eye, as well as at least one goniochromatic colouring agent capable of producing an ionic
colour.
Description of the invention:
The present inVention involves a method and a system to achieve the desired average
brightness, a gloss base may be included in the composition.
The term "base" refers, for the purposes of the present invention, to a cosmetic
composition devoid of reflective particles and goniochromatic colouring agents.
The present disclosure ·to the cosmetic composition has a base that, in one embodiment,
has an average brightness greater than 20, more preferably 50, and more preferably greater
than 70, especially when the· composition is meant to be applied to the lips. Possibly
included. The average brightness of the cosmetic composition may or may not differ from
the average brightness of the base alone taken into account due to the presence of
goniochromatic colouring agents and reflective particles in the gloss base.
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The present disclosure to the Depending on how the cosmetic will be used, the base
formulation will change.
The average brightness .of the cosmetic composition may or may not differ from the average
brightness of the base alone taken into account due to the presence of goniochromatic
colouring agents and reflective particles in the gloss base.
The basic formulation will be determined by the cosmetic composition's intended use as
well as by the form in which it is offered:
Therefore, the base formulation depends on factors such as whether the cosmetic
composition is meant to form a liquid gloss or lipstick; for instance. Examples include a base
for lipstick with an average brightness of about 60, a base for liquid gloss or eye shadow
with an average brightness of about 70, and a base for nail polish with an average
brightness of about 50.·
The p.resent invention provides the· Gel/gel type herbal formulations partially meet these
expectations (Almeida eta/. , Pharmaceutical Development and Technology, 2008, 13:487,
tables 1 and 2, page 488); WO 99/65455; PI 0405758 -9; see WO 99/62497; JP 2005-112834;
and WO 2008/081175). Formulations of this type combine a gelled aqueous phase with a
gelled oily phase. Indeed, these gel/!iel formulations have been proposed essentially as
advantageous replacements for emulsifying systems because they make it possible to
eliminate the use of surfactants required for the stability and texturization of the emulsion.
Unfortunately, besides these advantages, the gel/gel formulations described so far do not
exhibit essentially any novel or improved technical performance qualities.
Therefore, it is still difficult for a person skilled in the art to propose a
homogeneous coni position capable of providing an immediate visual result for the skin "with
a light sensation upon application, and such an expected immediate result is primarily a
color defect and/or a relief imperfection. It's good coverage, but it doesn't show them.
Therefore, there is a need to find novel systems for distributing ingredients such as water,
fatty substances and solid particles on the skin.
These novel structures should be wholly satisfactory to the user with respect to the feel
provided, but should also be able to provide improved cosmetic properties, or even
increased a number of technical performance qualities, e.g. freshness, lightness, softness, It
should have comfort, coverage of defects, color, integration aspects, alleviation, etc., on the
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other hand, known side effects of oily and aqueous phases, e.g., oily, sticky, lack of glidance,
or Otherwise! there should be no feeling of dragging when applied.
Unexpectedly, the inventors believe that this object has a number of technical performance
qualities and also has an optimized effect, but on the one hand, certain hydrophilic gelling
agents for preparing cosmetic compositions of the same type as macroscopically
homogeneous systems ( S)/lipophilic gelling agent(s).
More precisely, we believe that the selection of a system of specific hydrophilic gelling
agent(s)/lipophilic gelling agent(s) makes it possible to combine multiple important
technical performance qualities in a single composition, contrary to all expectations, each It
has been found that .the strength of the performance quality is advantageously not
attenuated by the manifestation of other relevant performance.qualities, or even stimulated
for a particular performance quality.
A fluid product intended to be applied to the lips is referred to as "liquid gloss," also known
as liquid lipstick or lip gloss. It may be contained in a container with an applicator, with the
applicator itself being a container. including the parts of applicators and handle tools that
double as sealing caps.
In order to provide a relatively high brightness when applied to the lips, the cosmetic
composition may include an oily phase, more specifically one with a refractive index of 1.47
to 1.51. It is attainable.
There are other ways besides using a gloss base to create a cosmetic composition with
brightness. If a transparent gloss composition is used, it doesn't change the invention's
intent.
The present invention does not preclude the observation of goniochromatic action and
highlighting, for instance before or after applying the invention's cosmetic composition to
the lips.
The composition may additionally. include goniochromatic fibres to create an additional
visual effect.
Check out our step-by-step application guide-along with some of our favorite beauty
products-below.
Step 1: Primer & Color Corrector
Using a primer and/or color corrector is optional, but if you choose to use either (or both) it
should be done directly after your skincare routine. This will smooth and even out your
complexion and help product stay put longer.
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Step 2: Foundation
Foundation acts as a foundation (no pun intended) on which to build your other makeup.
look for a formula that will enhance your skin type and tone-this will help set your other
products properly. if you have even skin, you can skip foundation entirely and dab a few
spots of concealer on your trouble spots instead.
Step 3: Concealer
Always use concealer after putting on foundation to avoid using more product than
necessary and to stop your skin from appearing cakey. Dab our buildable Cream
Concealer on the spots that need more coverage (under your eyes, over blemishes, etc.),
and then soften the edges with a Blender Brush.
Step 4: Blush, Bronzer, & Highlighter
To give your complexion a finishing touch, add a pop of color on your cheeks with blush, get
your glow on with a shimmering highlighter, and/or try your hand at contouring with
our Mineral Bronzer. Layer creams under powders if you choose to use both.
Step 5: Eyeshadow, Eyeliner, & Mascara
Coated ·eyelashes can get in the way when you're trying to nail winged liner, so swipe on
your mascara after applying your eyeshadciw and eyeliner.
Step 6: Eyebrows
The intensity ·of your eyebrows should complement the rest of your makeup, so shape and
fill your arches with our Cream Brow Pencil to match your entire look. (Pro tip: Feel free to
interchange Steps 4, 5, & 6 depending on your preference)"
Step 7: lips
Because it's the easiest to reapply as the day wears on, applying your lip color is always a
good final step in your makeup routine, whether you're simply dabbing on some tinted gloss
or doing a full look with liner and lipstick.
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Step 8: Setting Spray or Powder
You can use one, both, or neither, but these two products (try our Sea Mineral Hydra
Mist or Mosaic Illuminator) are made to help your makeup last longer and look better as the
day goes on-apply them right before you head out the door.
HERE ARE SOME COMMON INGREDIENTS USED: (NATURAL & ARTIFICIAL):
1. WATER
If it's in a bottle then chances are that product contains H20. This is
the basis of most products like shampoo, lotions, deodorants and creams.
2. EMULSIFIERS
It's a bridge used to hold together ingredients that don't work well, like oil and water. Some
examples are polysorbates, potassium . cetyl sulphate. There are different types of
emulsifiers and different quantities that must be understood when choosing the correct
type for beauty products, cosmetics manufacturers and skincare manufacturers. So when a
bottle instructs you to "Store product in the refrigerator once opened", DO IT! There's a
valid scientific reason behind it.
3. PRESERVATIVES
These are very important in expanding the "shelf life" of a product, whether it's
skincare, haircare or cosmetics in general, they are needed not just in food as we presume.
Their mission is to prevent bacteria and fungi from developing within those vital ingredients
that are intended to enhance your outer body and spoil the product throughout its use.
Some commonly used preservatives to look at are formaldehyde (for-mal-duh-hide),
tetrasodium, salicylic acid .(saly-sil-lick acid), and benzyl alcohol. If you have preservativefree
cosmetics, then you must take the product's storage and shelf life into consideration by
looking at the colour, smell and texture of the beauty product.
4. THICKENERS
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They are simply there to give the product a much better appearance in terms of their
consistency. Here too there are many types such as lipid (depending on its temperature for
its texture it can be in a solid form/liquified), natural (Cosmetics that use these thickeners
can be diluted with water/alcohol making it much easier. Some examples are gelatin,
xanthan gum and guar gum), mineral (these types absorb water and oils well. Some
examples are silica, bentonite and magnesium aluminium silicate) and synthetic (found in
creamy and_ lotion products mostly, these are ones with the long hard to pronounce
scientific names like cetyl palmitate all-~ ammonium acryloyldimethyltaurate).
5. COLOURS AND FRAGRANCES
Ever wondered how makeup and beauty products get their colours. From that bold smokey
eye to a subtle daytime look, these lipsticks, eyeshadows and even mascara use a range of ' . .
mineral ingredients such as mica flakes; coal tar and manganese.
Personal care and cosmetics
Application Toxicity
ingredients
Endocrine disrupter effects,
Triclosan
Antimicrobial/soaps, reproduction, carcinogenic,
fragrances resistant bacteria,
bioaccumulation, aquatic toxicity
Antimicrobial, soaps, body Carcinogenic, endocrine
Triclocarban
washes, lotions, detergents, disrupter, teratogenicity,
and wipes for its sanitizing bioaccumulation, weight loss,
properties. abortion
Mutagenic, corrosive to skin,
carcinogenic (tumor promoter),
Phenol Soap, cleaning lotions
local tissue irritation, irregular
pulse, vomiting, darkened urine,
liver damage, blood-forming
organs damage, collapse
Carcinogenic, mutagenic,
1,4-Dichlorobenzene
Insect-repellent and hematological abnormalities,
deodorizer bioaccumulation, impair kidney
and liver function
Benzylparaben Preservatives
Estrogenic effects, carcinogenic,
inhibited spermatogenesis
Butylparaben Preservatives Adverse effect on male
reproductive system,
carcinogenic
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Induce chromosomal damage,
Methylparaben Antifungal and preservatives carcinogenic, . subcutaneous
toxicity
Endocrine disruption, hormone-
Benzophenone-3
Sunscreen product, UV-filters dependent diseases, adverse
in cosmetics effect on reproduction and
development
UV-filters in cosmetics,
Antiestrogenic, antiandrogenic,
Benzophenone-4 hairspray, shampoo and
and estrogenic activity
antiperspirant
Antiestrogen ic activity affects
4-Methylbenzylidene
the
UV-filters hypothalamus-pituitary-gonadal
camphor
system in male rats, alter steroid
hormone production
We claim:
1. Makeup cosmetic composition for lips or skin that contains the following ingredients;
at least one goniochromatic colouring agent that can create a background with
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goniochromatic colouring, with the goniochromatic colouring present in
concentrations of between 0.1% and 20% by weight of the overall weight of the
cosmetic composition. The hue angle of the cosmetic composition is at least 30• in
the ~osmetic composition layer when the agent is present, the irradiation angle is
45•, and the observation angle is changed between 0 •. and 80 •. A liquid crystal
colourant and a multilayer interference structure are used to choose the
goniochromatic colourant so that a change in Dh can be seen when the cosmetic
composition is applied to a surface.
2. a mascara composition, described compositions comprises the compositions of claim
1.
3. an eyeliner compositions, described compositions comprises the compositions of
claim 1.
4. the method for the eyes of making up, hair, lip and/or skin, described method
comprise that the described compositions with claim 1 is coated on described each
surface.
5. the compositions of claim 1, described compositions also comprises thickening
agent ..
6. the compositions of claim 1, described compositions also comprises filler.
7. the compositions of claim 1, described compositions also comprises solvent.
8. the compositions of claim 1, described compositions also comprises coloring agent.
9. the compositions of claim 1, wherein said fi!m former is selected from styrene block
copolymer, alkyl acrylate copolymer, polyamide or its mixture.
10. the compositions of claim 3, wherein said wax is selected from paraffin, wax, Cera
Flava, synthetic bees wax or its mixture.